My Father

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I’m staring at a painting by Paul Klee. Sweeping brushstrokes on the canvas, eye-popping oranges and reds, flame-shapes, one large blue eye so wise it looks into your soul, and a sense that something is imminent, just trembling there, about to explode.

This is how it feels to live with a bipolar father.

Arthur Rimbaud wrote, “There’s a fire in you alone, made of soft, satin embers.”

Being an artist is like being an addict. You’re hooked on the process of creating. You have visions. You crawl inside your own head and get stuck in the tunnels of your mind, until you find your way out, rest and recuperate, and begin again.

Klee said, “I cannot be understood at all on this Earth.” That’s the fear. The fear of loneliness. Of silence. Of isolation.

My father could not be understood at all on this Earth. We all tried to understand him. Until, in the end, we could not understand.

Dad was a painter and sculptor, a sensitive, vulnerable man. He had ups and downs. His highs were Mount Everest highs, and his lows could be hellish. His upswings were magical, especially for me as a child—he’d tell us his grandiose schemes. He’d paint obsessively for hours. His eyes grew wide with visions swirling in the chemical miasma of his brain. His canvases reminded me of Klee’s—the bold colors and broad strokes. He painted pueblos of New Mexico, brooding New England barns, and foreboding moonlit skies over our house on the edge of the woods.

He taught me how to walk through the forest without making a sound, like the Native Americans he deeply admired—heel-to-toe. That way you could view the woods without scaring the creatures away. You could experience life as it really was. He taught me how to observe. How to see the world.

When my dad took his own life, recovering from it was like crawling out of emotional quicksand. For the longest time, I struggled with my writing. I ran away. As fast as I could. I ran and hid. But eventually, I had to turn and face it.

Long after his death, my father came to me in a dream. He was smiling. He seemed happy. I asked him my most burning question—“Where are you?” He told me he was in northern Idaho. “Oh,” I said. The dream was over.

The next day, I looked the place up on a map. I had no idea what it was supposed to mean. But I think he was telling me to move on. Explore. Go. Don’t stop now. He certainly wasn’t.

THE RED-HAIRED GIRL

Love.

Honor.

Betrayal.

Survival.

THE RED-HAIRED GIRL

In a mist-soaked world, 18-year-old Lily Warlander is about to break all the rules and uncover the truth about her past in this eipc fantasy for fans of “The Hunger Games” and “Divergent.”

“Blanchard’s prose is swift and cinematic.” — Publisher’s Weekly

Blanchard is a superb storyteller.” ― Mystery & Suspense Magazine

Blanchard writes with a gifted pen.” — Bookreporter

A veteran storyteller at the peak of her powers.” — NYT bestseller Jacquelyn Mitchard

I’m a mystery author. I’ve written literary thrillers, psychological thrillers, murder mysteries and a variety of other suspense novels, but I’ve never written in the fantasy genre before.

However, Lily wouldn’t leave me alone. She whispered “Once upon a time” in my ear. Her voice was persistent and clear. So I interrupted what I was doing and jotted down the stories she told me.

I put them into a messy file called “fantasy book” and forgot about it. I didn’t take it seriously. Why should I? I was a mystery writer.

But her dark, magical, haunting story got told. And here it is.

Love.

Honor.

Betrayal.

Survival.

THE RED-HAIRED GIRL

Book One of The Three Crowns of Darkstep series.

“Writing is being able to take something fiercely alive that exists inside you, and to then store it like a genie in tense, tiny black symbols on a calm white page." ― Mary Gaitskill